My area of specialization is American poetry: reading it, interpreting it, and writing it. I am especially interested in how poetry engages with readers beyond the academy. Current projects include “Chapter and Verse,” for the Cambridge History of Children’s Literature; a study of Viking artifacts in nineteenth-century poetry for a volume titled From Iceland to the Americas; and a new edited collection (with Sandra Lee Kleppe) on poetry and sustainability in higher education.
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2018 “Baby to Baby: Lydia Sigourney and the Origins of Cuteness,” in Elizabeth Petrino and Mary Louise Kete, eds. Lydia Sigourney: Critical Essays and Cultural Views. Amherst: University of Massachusetts Press.
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2018 “The Chemistry of Poetry: Transfer Across Disciplines,” with Tracy Thompson, in Sandra Kleppe and Angela Sorby, eds., Poetry and Pedagogy Across the Lifespan (London: Palgrave UK, 2018) 19-36.
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2017 "’A Dimple in the Tomb": Cuteness in Emily Dickinson.’" ESQ: A Journal of Nineteenth- Century American Literature and Culture, 63: 2 (2017) 297-328.
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2017 “Conjuring Readers: Antebellum African-American Children’s Poetry,” a chapter in Anna Mae Duane and Kate Capshaw Smith, eds., Who Writes for Black Children? African- American Children’s Literature Before 1900. University of Minnesota Press.
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2016 “Women Poets, Child Readers,” in Jennifer Putzi and Alexandra Socarides, eds., A History of American Women’s Poetry. Cambridge University Press.
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2016 “Children’s Culture,” in Gary Burns, ed., The Blackwell Companion to Popular Culture. New York: Blackwell.
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2015 “At Home in the Stranger’s House: Poetic Revision and Spiritual Practice,” in Anne M. Pasero and John Pustejovsky, “And have you changed your life?” The Challenge of Listening to the Spiritual in Contemporary Poetry. Marquette University Press.
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2014 “Disciplined Play: Children’s Poetry to 1920,” a chapter in Alfred Bendixen and Stephen Burt, eds., The Cambridge History of American Poetry. Cambridge University Press.
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2013 “Education,” in Eliza Richards, ed., Emily Dickinson In Context. Cambridge University Press, 36-45.
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2013 “Pretty New Moons: Contact Zones in Nineteenth-Century American Children’s Poetry,” with Karen Kilcup. Introduction to Over the River and Through the Wood. Johns Hopkins UP.
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2012 “Recitation” and “Fireside Poets,” entries in The Princeton Encyclopedia of Poetry and Poetics, Princeton UP, 2012.
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2011 “Who Wrote “Rock Me to Sleep?: Elizabeth Akers Allen and the Profession of Poetry’” in MLQ: A Journal of Literary History.
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2011 “The Poetics of Bird-Defense, 1860-1918” in Mike Chasar and Heidi Bean, eds., Poetry After Cultural Studies. Iowa City: University of Iowa Press.
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2011 “The Golden Age,” in Philip Nel and Lissa Paul, eds., Keywords for Children’s Literature, NY: New York University Press, 96-99.
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2010 “Animal Poems and Children's Rights in America, 1820-1890,” in Morag Styles, et. al., eds., Poetry and Childhood. Stoke-on-Kent, UK: Trentham Books.
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2010 “Longfellow’s Ghost: Writing Popular Poetry,” in Blas Falconer, ed., Mentor and Muse: Essays from Poets to Poets. Carbondale: Southern Illinois University Press.
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2009 “The Milwaukee School of Fleshly Poetry: Ella Wheeler Wilcox and Popular Aestheticism,” Legacy: A Journal of American Women Writers.
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2008 “Raymond Carver’s Poetry and the Temperance Tradition,” Raymond Carver Review.
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2007 “Symmetrical Womanhood: Poetry in the Woman’s Building Library,” Libraries and Culture.
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2007 "Approaches to Teaching the Schoolroom Poets," in Paula Bennett and Karen Kilcup, Approaches to Teaching Nineteenth-Century American Poetry. NY: Modern Language Association Press.
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1999 “Performing Class: James Whitcomb Riley’s Poetry of Distinction,” MLQ: A Journal of Literary History.
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1998 “St. Nicholas Magazine and the Poetics of Peer Culture, 1872-1900,” American Studies.
- 2019 "Big Rig," in New Ohio Review 25. Poetry
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2018 “Limn,” in Feminist Studies. Poetry.
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2017 “The Boring Side of the Family,” in Tina Schumann, ed., Two-Countries: U.S. Daughters
and Sons of Immigrant Parents. Los Angeles: Red Hen P. Poetry.
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2017 “Exercise,” Poetry Northwest. Poetry.
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2017 “No One Knows Where the Ladder Goes,” The First Line. Fiction. Finalist, Best Small Fictions 2017.
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2016 “Code Violations: Chicago Review in the 1990s,” in Chicago Review. Creative nonfiction.
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2014 “Stranger Danger,” Journal of the West 53 (4): 56-59. Creative nonfiction.
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2014 “Memo from the Center for Teaching and Learning,” The Chronicle of Higher
Education. Creative nonfiction.
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2013 “Paradise, Wisconsin,” Barrow Street. Poetry.
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2013 “Sivka-Burka,” “Interstate,” “A is for Air,” “Notes from a Northern State, Prairie Schooner Poetry.
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2013 "A Walk Across the Ice," "Golden Spike," "Ink.” Mesa, AZ: Superstition Review, 2013. Poetry.
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2011 “Creating a Cone of Silence in China,” The Chronicle of Higher Education. Creative nonfiction.
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2011 “Snapshots of a Semester in China,” The Chronicle of Higher Education, May 2, 2011. Creative nonfiction.
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2009 “Looking Backward: 2020,” The Chronicle of Higher Education, April 1, 2009. Creative nonfiction.
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2012 “Fallout,” “Wide Boulevard, Tiny Apartment,” Zone 3. Poetry.
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2012 “Stopping At the Joyce Kilmer Rest Area On a Snowy Evening,” North American Review. Poetry.
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2011 “Thrifting,” Massachusetts Review. Poetry.
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2011 “Pengyou,” read by Chimamanda Ngozi Adichie on Weekend All Things Considered (NPR), April 2011. Fiction.
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2010 “Spill,” Poets for Living Waters. Poetry.
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2009 “The Suburban Mysteries,” Jacket 38.
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2009 “Letter to Hugo from the Land of the Living,” Babel Fruit. Poetry.
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2009 “Flyover State,” Shepherd Express. Reprint.
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2008 “Six Degrees of Separation,” Willow Springs. Poetry.
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2008 “Nostalgia for the Present,” “Two Toyotas Crash,” and “Breathing Out Smoke,” Southern Review. Poetry.
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2004 “Empire Builder” in John Burnside, ed. Wild Reckoning: An Anthology Provoked by Rachel Carson’s ‘Silent Spring.’ Gulbenkian Foundation (UK), 2004. Reprint. Poetry.
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2004 “Catch and Release,” Pinyon (2004): 18. Special issue on Norwegian poetry; in English, and translated into Norwegian (as “Slip og Fang”) by Sandra Lee Kleppe. Poetry.
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2003 “Glossolalia” in Diane Boller, et. al., eds. Poetry Daily: 366 Poems from the World’s Most Popular Website. Sourcebooks, 2003. Reprint; also appeared on the Poetry Daily website. Poetry.
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2001 “Really Barely There,” Born: Art and Literature Collaboration (2001): n.p. Art by Karen Ingram.
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2000 “Insomnia” and “The Attic of the Attic,” Portland Review. Poetry.
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2000 “Land of Lincoln” and “The Man Without a Middle,” in America Poetry: The Next Generation. Jim Daniels and Gerald Constanzo, eds., Carnegie-Mellon University Press, 2000. Reprint. Poetry.
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1998 “Land of Lincoln,” “Really Barely There,” and “Kate Fox,” Third Coast. Poetry.
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1996 “Weather at Ten,” North American Review. Poetry.
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1995 “Museum Piece,” in Richard Howard, ed., Best American Poetry 1995, Simon & Schuster, 1995. Reprint. Poetry.
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1994 “Museum Piece,” The Nation. Poetry.
- 2019 Review of Patricia Crane, Reading Children: LIteracy, Property, and the Dilemmas of Childhood in Nineteenth-Century America in American Literary History Review Series XX.
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2017 Review of Denise Duhamel, Scald, in Chicago Review 60:4 (2017), 3 pp.
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2016 Review of Donelle Ruwe, British Children's Poetry in the Romantic Era: Verse, Riddle, and Rhyme in Children's Literature Association Quarterly 40: 1 (Winter 2016), 420-422.
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2015 Review of Claudia Stokes, The Altar at Home: Sentimental Literature and Nineteenth- Century American Religion. Modern Philology 113, 2 (November 2015): E112-E114
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2015 Review of Mary Robson, Heart Beats: Everyday Life and the Memorized Poem. MLQ 76: 1 (March 2015): 212-214.
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2014 Roundtable review (with Monika Elbert) of Anna Mae Duane, Suffering Childhood: Violence, Race, and the Making of the Child Victim. Journal of American Studies 48:1 (February 2014): 1-9.
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2010 “It's (Not) All Small Stuff: The Lion and the Unicorn Award for Children’s Poetry,” with Michael Heyman and Joseph T. Thomas, in The Lion and the Unicorn 34 (September 2010): 354-363.
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2009 Lively Rigor: the 2009 Lion and the Unicorn Award for Children’s Poetry,” with Michael Heyman and Joseph T. Thomas, in The Lion and the Unicorn 33: 3 (September 2009):
376-396.
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2008 Review of Joseph T. Thomas, Poetry’s Playground, in Children’s Literature 36: (2008):
245-247.
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2008 “‘from the brain all the way to the heart’: the 2008 Lion and the Unicorn Award for
Children’s Poetry,” with Richard Flynn and Joseph T. Thomas, in The Lion and the Unicorn 32: 3 (September 2008): 344-356.
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2008 Featured essay review of Joan Shelley Rubin, Songs of Ourselves, American Historical Review 113 (April 2008): 449-451.
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2007 “Message in a Bottle: the 2007 Lion and the Unicorn Award for Children’s Poetry,” with Richard Flynn and Joseph T. Thomas, The Lion and the Unicorn 31 (2007): 264-281.
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2007 Review of Christopher Irmscher, Longfellow Redux, in New England Quarterly, 80:1 (March 2007): 40-41.
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2006 Review of Joel Scott and Matthew Pace, eds., Wordsworth in American Literary Culture, in European Romantic Review 11:4 (2006): 502-507.
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2004 Review of James Guthrie, Above Time: Emerson’s and Thoreau’s Temporal Revolutions, in M/MLA Journal 37:1 (Spring 2004): 117-118.
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2001 Review of J.D. McClatchy, Twenty Questions: Posed by Poems, in M/MLA Journal 34: 3 (Autumn, 2001): 89-91
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1999 Review of Elizabeth Arnold, The Reef, in Chicago Review 49: 2 (1999): 137-139.
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1996 Review of Lynne Crosbie, VillainElle, in Chicago Review, 42:2 (1996): 117-119.
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1996 Review of Fatima Lim-Wilson, Crossing the Snow Bridge, in Chicago Review,42:1 (1996): 88-89.
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1995 Review of Lawrence Graver, An Obsession with Anne Frank: Meyer Levin and the Diary,
in Chicago Review 41:4 (1995): 142-144.
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1995 Review of Natasha Sajé, Red Under the Skin, in Chicago Review 41:1 (1995): 97-98.